Category Archives: Antigona

SCENE 4.II //CO-LAB WITH SCENE 4.I//

After the Interim Presentation we began to work more closely with the group designing the scene immediately before ours; Scene 4.i. Both of our scenes take place in the same location of the play – inside the palace. And they

SCENE 4.II //CO-LAB WITH SCENE 4.I//

After the Interim Presentation we began to work more closely with the group designing the scene immediately before ours; Scene 4.i. Both of our scenes take place in the same location of the play – inside the palace. And they

SCENE 4.11 //DEISGN PORTFOLIO//

To summarise our design concept and finalisation of the stage set for Scene 4.ii we created a final board to document the process, from concept through to technical detailing. This board was amongst the final documents submitted for assessment and

SCENE 4.11 //DEISGN PORTFOLIO//

To summarise our design concept and finalisation of the stage set for Scene 4.ii we created a final board to document the process, from concept through to technical detailing. This board was amongst the final documents submitted for assessment and

SCENE 4.11//Technical Detailing//

As our concept developed and our design became finalised, we recorded this progression as we went. From basic floor plans to final plans, also sections and visuals rendered and un-rendered. BASIC FLOOR PLAN A basic floor plan to begin to

SCENE 4.11//Technical Detailing//

As our concept developed and our design became finalised, we recorded this progression as we went. From basic floor plans to final plans, also sections and visuals rendered and un-rendered. BASIC FLOOR PLAN A basic floor plan to begin to

Antigone – Group 2 – Interim Critique Feedback

We presented our current concept and ideas to the other groups and two other Co.Lab subjects as part of our interim critique. Our 10 minute presentation focused on the development of our concept from our initial idea, analysis of precedents,

Antigone – Group 2 – Interim Critique Feedback

We presented our current concept and ideas to the other groups and two other Co.Lab subjects as part of our interim critique. Our 10 minute presentation focused on the development of our concept from our initial idea, analysis of precedents,

Antigone – Group 2 – Proposal

It was decided that our concept could be utilised for both scene two and also for setting the atmosphere on the journey of the audience from the bar to their seats. As our concept uses lighting and projections to create

Antigone – Group 2 – Proposal

It was decided that our concept could be utilised for both scene two and also for setting the atmosphere on the journey of the audience from the bar to their seats. As our concept uses lighting and projections to create

Antigone – Group 2 – Word Projection Concept

After researching relevant precedent studies our concept really started to develop. In particular we felt the Nota Bene precedent where the digital installation projects text and creates a silhouette background from this of particular relevance to our concept. A similar

Antigone – Group 2 – Word Projection Concept

After researching relevant precedent studies our concept really started to develop. In particular we felt the Nota Bene precedent where the digital installation projects text and creates a silhouette background from this of particular relevance to our concept. A similar

Antigone – Group 2 – Colours and Moods

Our concept is based around portraying and exaggerating the emotions of the characters and the moods throughout scene 2. The use of colour can be one of the biggest factors in creating mood within theatre and will form an integral

Antigone – Group 2 – Colours and Moods

Our concept is based around portraying and exaggerating the emotions of the characters and the moods throughout scene 2. The use of colour can be one of the biggest factors in creating mood within theatre and will form an integral

Antigone – Group 2 – Precedent Studies

SAMUEL VAN HOOGSTRATEN “The perceptions have been manipulated by the illusion of scale”. Hoogstraten used shadow play to accentuate the movement of the actors on stage. This also has the effect of including the set and background as part of

Antigone – Group 2 – Precedent Studies

SAMUEL VAN HOOGSTRATEN “The perceptions have been manipulated by the illusion of scale”. Hoogstraten used shadow play to accentuate the movement of the actors on stage. This also has the effect of including the set and background as part of

Antigone – Group 2 – Site Visit

The adaptation of Antigone will be based in the A E Harris theatre space in the Jewellery Quarter, Birmingham. Tom, who is directing the play, envisioned a more interactive experience than a standard theatre production. This meant a number of

Antigone – Group 2 – Site Visit

The adaptation of Antigone will be based in the A E Harris theatre space in the Jewellery Quarter, Birmingham. Tom, who is directing the play, envisioned a more interactive experience than a standard theatre production. This meant a number of

Antigone – Group 2 – Scene Analysis

The Antigone Co.Lab module we are undertaking will see us developing a concept set design and installation for an adaptation of the Greek play Antigone by the REP theatre. Our Co.Lab project will eventually be based on an adaptation of

Antigone – Group 2 – Scene Analysis

The Antigone Co.Lab module we are undertaking will see us developing a concept set design and installation for an adaptation of the Greek play Antigone by the REP theatre. Our Co.Lab project will eventually be based on an adaptation of