DEWAT design

The design of the de-centralized waste system focusses on an adaptable strategy that can be adopted anywhere. In our technical work on DEWAT systems we found a gravity cycle that treats every stage of the waste cycle through gravity. This

DEWAT design

The design of the de-centralized waste system focusses on an adaptable strategy that can be adopted anywhere. In our technical work on DEWAT systems we found a gravity cycle that treats every stage of the waste cycle through gravity. This

Reflection

World toilet day on November 11th was used to promote and build awareness of global sanitation issues. What started cautiously became an interesting and enjoyable experience, which generated a lot of interest. We talked to a lot of students and

Reflection

World toilet day on November 11th was used to promote and build awareness of global sanitation issues. What started cautiously became an interesting and enjoyable experience, which generated a lot of interest. We talked to a lot of students and

Casting process

A blog post reviewing the casting process from the first attempts of the physical model making  Following our first casting session where we create a master mould from the 3D model, we then created replicates of the 3D model using expanding foam. Unfortunately as

Casting process

A blog post reviewing the casting process from the first attempts of the physical model making  Following our first casting session where we create a master mould from the 3D model, we then created replicates of the 3D model using expanding foam. Unfortunately as

Cultural Commons, Nora Al-Badri

Nora Al-Badri “Open up archives to the world so the public can reclaim museums and objects as cultural commons” (Al-Badri, n.d.) The Nefertiti Bust is a painted bust of an Egyptian Pharaoh and resides in Berlin’s Neues Museum. The bust

Cultural Commons, Nora Al-Badri

Nora Al-Badri “Open up archives to the world so the public can reclaim museums and objects as cultural commons” (Al-Badri, n.d.) The Nefertiti Bust is a painted bust of an Egyptian Pharaoh and resides in Berlin’s Neues Museum. The bust

They’re trapped!

These are the brick prototypes we made and we’re able to use as our prototypes. There are four more final prototypes that weren’t meant to be fired but mistakenly were and we were  unable to get to them.   Lauren,

They’re trapped!

These are the brick prototypes we made and we’re able to use as our prototypes. There are four more final prototypes that weren’t meant to be fired but mistakenly were and we were  unable to get to them.   Lauren,

Constructing The Mould

In order for us to be able to make a physical clay brick, we would first need to create the wooden mould for the brick we have designed. Mould To make the mould we had to make use of the

Constructing The Mould

In order for us to be able to make a physical clay brick, we would first need to create the wooden mould for the brick we have designed. Mould To make the mould we had to make use of the

Bricking It

This post will explain the trial and error brick making process for our group. Highlighting what went wrong with the initial tester bricks and what went right with the final chamfered brick. Once we had our accurate and tightly sealed

Bricking It

This post will explain the trial and error brick making process for our group. Highlighting what went wrong with the initial tester bricks and what went right with the final chamfered brick. Once we had our accurate and tightly sealed

Andreas Angelidakis “Record the experience of experiencing the object.”

‘A World of Fragile Parts’ | Venice Architecture Biennale 2016 As part of Modern Gazettee module, we were asked to think through what it means to copy an original object and transfer it into digital form through 3D scanning and

Andreas Angelidakis “Record the experience of experiencing the object.”

‘A World of Fragile Parts’ | Venice Architecture Biennale 2016 As part of Modern Gazettee module, we were asked to think through what it means to copy an original object and transfer it into digital form through 3D scanning and

Open structure exhibitions

Jan Nikolai Nelles “An infrastructure for the reproduction of cultural objects and associated knowledge can only be an open structure, not owned by any institution or company.” Jan Nikolai Nelles is a German artist who works closely with another artist

Open structure exhibitions

Jan Nikolai Nelles “An infrastructure for the reproduction of cultural objects and associated knowledge can only be an open structure, not owned by any institution or company.” Jan Nikolai Nelles is a German artist who works closely with another artist

ADAM LOWE, FACTUM ARTE “What should we record now? Everything, but in the right way! How should we store
it? Safely and with metadata tags. How should we access it? Freely and at high-resolution.” ‘A World of Fragile Parts’ | Venice

ADAM LOWE, FACTUM ARTE “What should we record now? Everything, but in the right way! How should we store
it? Safely and with metadata tags. How should we access it? Freely and at high-resolution.” ‘A World of Fragile Parts’ | Venice